Graffiti Animation for Shu and Jeff
By a Graffiti artist from Buenos Aires.
An Online RWB


He has a couple of these, on the left is the topic and the right are comical descriptions of the often
This one is my favorite. If you dont understand, he blames his failing stomach lining (ulcers) on things that cause him stress.
I also found these two very intriguing. He utilizes his stylized faces to emphasize the fine difference between crying of sadness and crying of happiness. And he composes the arms and faces to incorporate a sense of movement even though the figures seem to be a grid-like static formation. A contrast is incorporated by using warm colors colors for the women and cool colors for the men, also not the little clouds. Yet with these fairly obvious contrasts its easy to confuse the two, and the emotions, which is likely the point.
I gave a talk at Parsons School for Design in New York City last week, and the school kindly put me up in an old hotel in Washington Square. After I got off the elevator, I was immediately confronted with the skinniest hallway I had ever seen. Entering my actual room, I was surprised at how spacious it was because the ultraslim hallway had signaled to me that I might need to be prepared to assume the Munchkin position in my room.
This experience reminded me of the three C's I try to teach my students as the three core principles of design:
Content: There needs to be a message or meaning. Everything needs a reason to exist, otherwise it shouldn't.
Context: Content doesn't live in a vacuum. A Chanel bag sitting on a shelf at Wal-Mart will only confuse.
Contrast: An element is made stronger when a counterelement is offered. Salt tastes saltier after one has had some sugar.



Newspaper dress!

Here's the link.



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